12.08.2009
Redsfest and Potlucks
Notice "Box Seats" is a tag herein. I've changed my stance on seasonal highs -- it's no longer Opening Day, it's now Reds Fest. I felt maybe I was in St. Louis for a day. A place where the fans show up even in early December, even when the Cincinnati Bearcats can maneuver a National Championship bid, even when the streets of downtown Queen City are as barren as.....well, the streets of downtown Queen City is on Saturdays in early December. You've wasted your city, so let's not waste the team. Optimism seemed at an all time high. Even when getting photos and autographs with Drew Stubbs and Chris Dickerson.
While I'm a long-time supporter, I can honestly say these cardboard heroes are the closest I got to a team. All kidding aside, I have hope. Seeing Edison Volquez, broken as he may be, strutting through the promenade as the franchise, gave me hope. We missed quite a few legends (Tom Browning, GLENN BRAGGS (take that Wavves), and Joe Oliver) due to autograph hounds virtually clogging the lines (who needs an autograph these days? Adam just wanted to stare), but fortunately got within ear-shot of others.......
Like Eric "The Red" Davis, who looked as if he could still easily play CF in place of Willy Tavares. In all actuality, though I saw Brandon Phillips hamming it up in the Kid's Line, could have been named "Most Genial" Red of the entire day. Then there was George Foster -- the Redleg's HR King, who we glimpsed giving autographs through the entire Convention Center. The whole spectacle was kind of overwhelming. I can't imagine what it was like for a 10-yr old with a Beckett waiting to meet 1B Hal Morris for the first time.
The only bad karma that flooded the place was Bronson Arroyo's Stained covers (seriously, doesn't Arthur Rhodes make ghetto country, or something?) and the overwhelming buzz that Chris Sabo was total "dick" on Friday. The whole celebration was a little overwhelming, really. 'Specially when we heard the Bearcat's triumphant/lucky comeback on the "flat" drive home. At least Adam got his picture taken in front of the "biggest Reds jersey in the world."
The day was somewhat teetotal by the extremes of when the sun went down and I attended my first ever Rock Potluck. As a patron of the Columbus arts I am ashamed of my absence for those that came before this one. I've been invited to participate a few times before, but something (mostly work and/or Brazil came up) kept me from creeping. I will admit that one of those years I worked, got off early, and found a completely empty (and haunted) Milo, only to find out the "thing" was canceled. This one though? This town always finds ways to surprise me. As much of an old codger as I sound, re: the local scene, something like this is inspiring. Still, I'm intrigued more by the pieces of the scene being thrown together at a wall than the pieces real bands.
As the night wore on, and more packed, I was unable to hear the names of said assembled, off-the-cuff, day-of bands. Above though, is a pic of the monstrously towering Dusty, in the middle of his jam with Golden Nugg. The stage was flanked by guitarists who were ultimately "feeling it." Headbands, bell bottoms, and vintage gear in tow. I loved how this psychedelic love-fest started the evening off.
Besides some excellent highlights provided by David Holm (his ode to Columbus was spot-on) and a cover of "Mama Said Knock You Out" by Nick Tolford, the best memory of this year's Potluck came from Party Room -- Joe Peppercorn, Nick Shuld, Melanie Holm, Eve Searles, and one extremely talented participant who I was unfamiliar with. They started their set with a monolithic shoegaze rager complete with lyrics from the instructions from a Candyland board game -- then headed straight into a cover of Wilson Phillips "Hold On." Yes. That's true, and it was wonderful. I wish we could have Potlucks and Redsfests once a month/quarter, but then, what fun would that be?
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3 comments:
This sounds like the most awesome day ever. I'm surprised there was no appearance from World Series MVP Billy Hatcher.
When I was 10 years old and a smooth-fielding, high avg. no power, lefty first baseman, the only thing that I wanted to be was Hal Morris.
That talented musician is named Leslie Jankowski and she plays in Church of the Red Museum and Behind You With Knives.
Thanks for the identification.
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